The title itself is pronounceable—a recognizable word, no less!—and the music within features sonic elements that the duo would soon excise from their palette completely. The 11-track LP is out October 16th. Autechre's older stuff has aged extremely well (compared to say, Orb), so there's no dismissing this as just old hat. Next year’s Amber might most closely resemble Aphex Twin’s Selected Ambient Works 85-92, but even then it shows them subtly begin to slide away from their techno roots. Tue, 07 Apr 2020. Autechre - Chiastic Slide (Album Review) by The Wonky Angle. 3, Album Rating: 4.5Nothing can touch their first three albums, Album Rating: 4.0woah, this is fucking awesome, Bands: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z, Terrence Dixon - From The Far Future Pt. Amber is the second studio album by English electronic music duo Autechre, released on 7 November 1994 by Warp.It was the first Autechre album to be composed entirely of new material, as their debut album Incunabula (1993) was a compilation of older tracks. Music − Review | verfasst 05.03.2013 Autechre. Wir verwenden Cookies und ähnliche Tools, um Ihr Einkaufserlebnis zu verbessern, um unsere Dienste anzubieten, um zu verstehen, wie die Kunden unsere Dienste nutzen, damit wir Verbesserungen vornehmen können, und um Werbung anzuzeigen. Autechre - Tri Repetae (Album Review) by The Wonky Angle. The landscapes they evoke can seem post-industrial and dystopian, but the chord progression of “Kalpol Introl” still feels melancholic and definitely human. Review von Maximilian Fritz. I honestly like their later, more "out there" stuff more, but this is still a solid effort. Amber, an Album by Autechre. And while its approximately 75-minute length is unwarranted—the acid squelches of “Windwind” exhaust with their 11-minute runtime—there are both time-stamped presets as well as plenty of clues as to their evolution embedded in the album. From the deep, sawing sinewave and rockslide of low tones that open “Dael” to the metallic thrums and chilling hiss of closer “Rsdio,” Tri Repetae served as Autechre’s superhero origin story, revealing a monstrous new power while also obliterating any trace of their previous selves. The first thing you notice is that they've kicked the sound design up a notch. Yay! We've gathered some useful resources for those affected by the coronavirus pandemic and the people who want to help them. Oktober 2020 Autechre brechen erneut mit den Konventionen, indem sie nach einem Jahrzehnt der Superlative zum konventionellen Format zurückkehren: 'SIGN' hat den Umfang eines ganz normalen Albums, nachdem Rob Brown und Sean Booth zuletzt mit der fünfteiligen 'elseq'-Reihe und einer Reihe von Konzert- und Radio-Mitschnitten ihren … The only redeeming thing of this album is the excellent cohesion. You seem to like write-ups, so in this post I'm gonna explore all Autechre tracks with titles that consist of only two or three characters and write briefly about each of them. The synth melodies of “Slip” haven’t aged very well, and the sharper aspects of “Glitch” and “Piezo” feel dulled and gentle in hindsight, knowing just what nasty and brutish sounds they would soon wring out of their gear. I like to pair it with Brian Eno's Shutov Assembly because the junction of the two articulate where electronic and ambient was coming from and where it was going, from a digital perspective. PLUS is by all means a second helping of similar material to their last, albeit with a much more grimy and heavy presence. The album was broadcast for the first time on 8 October on the Autechre website. Rob Brown, Sean Booth Chronologie Incunabula (1993) Amber Tri Repetae (1995) Amber (engl. Both careers were characterized by austere, meticulous, intricate sound design. 3. From their achingly memorable IDM beginnings–the Anti and Garbage EPs, Amber and Incunabula–to their more deliriously abstract stuff like Confield and 2005’s Untilted, Rob Brown and Sean Booth have always forged their own paths and traveled down them with single-minded enthusiasm–accessibility, “danceability,” or familiarity be damned. Even odder is “Basscadet,” a fan-favorite hit of sorts back in 1994. Revisiting electronic pioneers Autechre’s earliest albums, now reissued, is like returning to a previously uninhabitable planet and being startled to find residents living and thriving there. Werbefrei streamen oder als CD und MP3 kaufen bei Amazon.de. Genre(s) Electronica, IDM, Ambient. Genres: IDM, Experimental. PLUS, an Album by Autechre. Since then, experimental and dance artists alike—be they on labels like PAN, Tri Angle or Editions Mego—have absorbed certain aspects of Autechre’s sound. They’d push into more experimental and complex music for the next twenty years and never quite be as gentle or linear as those first two efforts. Nach "SIGN" nun "PLUS", beides, dem Anlass angemessen, in Versalien gehalten. The flickering lullaby melody and spare pads of “Yulquen” reveal a soft, contemplative side that few could even identify as an Autechre track. It earned comparisons to dumping off a bag of clothes at a second hand store and a Netflix show binge. 11:40. Discover releases, reviews, credits, songs, and more about Autechre - Amber at Discogs. The pewter sleeve bereft of any markings, the images of metal shafts and casings suggest that the humans behind Autechre were replaced not with robots but rather old radiators instead. The other Incunabula that seems to have eclipsed the debut for many people and even first introduced me to this duo. Boomkat Product Review: ‘Sign’ is Autechre’s first new album-album proper since ‘Elseq’ and contains some of their most emosh compositions in eons, perhaps since ‘Tri Repetae’. Boomkat Product Review: Autechre's classic second album from 1994, reissued for the first time in 15 years... At bleeding’ last, Warp reissue one of their rarest gems, which Autechre themselves have referred to as conceiving as their “Warp record” - written to complement the label’s early ‘90s ambient/AI catalogue. Autechre's second career, best represented by LP5 (1998) and Confield (2001), was about dissonance, icy ambience, irregular rhythm and non-linear development. Not a fan of the chord progressions at all. With 1995’s Tri Repetae, Autechre obliterated all that they—and most of their Warp roster mates—had done before. What Autechre left behind with Tri Repetae was humanity, the relatability that found Booth and Brown an engaged audience in a time of dime-a-dozen dance and vulgarian pop. Revisiting Tri Repetae twenty-one years later is like returning to a planet previously filled with sulfuric acid clouds, volcanoes and liquid mercury pools. That complex and private language is evident from the start, situating Brown and Booth as the Poto and Cabengo of techno. The bass growl that lurches forth on “Clipper” now feels triumphant rather than menacing, the whinnying frequencies of “Rotar” slowly tease out a melodic line. Autechre have changed their style a lot over the years. Gardine runter, Fenster auf, Hallo Welt: »Exai« ist die Konsequenz aus 20 Jahren Autechre. The familiar 606 percussion of their early years is gone, replaced by the distorted sound of metal on metal. 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